“Fun Fun Fun Fun”

Regardless of what people say about this track, I actually love it, and so its the one I wanted to arrange this week.

It’s on par with Stravinsky’s Rite of Spring, and Beethoven’s Fifth Symphony. Why? Well, I constantly say that music isn’t about eighth notes and harmonic minor scales. It’s purpose is to create emotion. It doesn’t matter what that emotion is – it could be happy, sad, fear, uncertainty, anger, calmness, or in this case – hilariousness.

To me, it’s a successful piece of music because it got people talking, it got people emotional. Even Simon Cowell would agree. Released on February 11, 2011 by Ark Music Factory, the song sat dormant for a month until The Daily What and then Tosh.O wrote up about it on March 14, 2011, and gave it life upon the internet.

The piece is incredibly happy in it’s emotion, and I wanted to capture that with the violins, so I had them play triumphantly in the beginning and in the ending. The most difficult to arrange was the rap by Pato Patrice Wilson. I had this same problem with my Rage Against The Machine piece because unpitched vocals commonly seen in rap is incredibly difficult to arrange for pitched instruments, but I’m thrilled with how the rap was performed by the xylophone.

I love the honestly of this piece, and really wanted to transcend the feeling of “fun fun fun fun”. For all the people who are hating on Rebecca, I say learn to love them, and besides, lovers whisper


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By WaltRibeiro on Mar - 25 - 2011 -- Categories: Covers, Songs     187 COMMENTS
  • http://twitter.com/yakhunta_ Arthur Wilkie

    Wow, a beautiful take on an otherwise “interesting” song (that’s all I’ll say on it ;)). This is my first time on the site, but thanks to this masterpiece, it won’t be my last!

    • http://www.fororchestra.com WaltRibeiro

      Thanks Arthur! Glad you like my work. Your support means alot. How are you?

      • http://twitter.com/yakhunta_ Arthur Wilkie

        Haha, no problem! Doing great!

  • http://twitter.com/yakhunta_ Arthur Wilkie

    Wow, a beautiful take on an otherwise “interesting” song (that’s all I’ll say on it ;)). This is my first time on the site, but thanks to this masterpiece, it won’t be my last!

    • http://www.fororchestra.com WaltRibeiro

      Thanks Arthur! Glad you like my work. Your support means alot. How are you?

      • http://twitter.com/yakhunta_ Arthur Wilkie

        Haha, no problem! Doing great!

  • http://www.royalty-club.com theroyaltyclub

    this is perfect!

    • http://www.fororchestra.com WaltRibeiro

      thanks man. glad you like it. And thanks for the retweet too!

      • http://www.royalty-club.com theroyaltyclub

        no problem, keep making good music!

  • http://www.royalty-club.com theroyaltyclub

    this is perfect!

    • http://www.fororchestra.com WaltRibeiro

      thanks man. glad you like it. And thanks for the retweet too!

      • http://www.royalty-club.com theroyaltyclub

        no problem, keep making good music!

  • Blizzardtwins

    why dont you do a blondie song ?

    • http://www.fororchestra.com WaltRibeiro

      i would love to! Which one do you think would be good?

  • Blizzardtwins

    why dont you do a blondie song ?

    • http://www.fororchestra.com WaltRibeiro

      i would love to! Which one do you think would be good?

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  • http://php-princess.net Daynah

    It sounds so pretty Walt! :)

    • http://www.fororchestra.com WaltRibeiro

      aww thanks Daynah. Miss ya, come visit sometime!

  • http://php-princess.net Daynah

    It sounds so pretty Walt! :)

    • http://www.fororchestra.com WaltRibeiro

      aww thanks Daynah. Miss ya, come visit sometime!

  • giant_squid

    If they don’t release an Orchestral Mix of the song. they will have missed a trick. Jolly good job.

    • http://www.fororchestra.com WaltRibeiro

      thanks!

  • giant_squid

    If they don’t release an Orchestral Mix of the song. they will have missed a trick. Jolly good job.

    • http://www.fororchestra.com WaltRibeiro

      thanks!

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  • http://twitter.com/osxdude Jonathan Flusser, Jr

    Wow, sounds great!! A lot better than the original song :P

    • http://www.fororchestra.com WaltRibeiro

      a good orchestration starts with a good song. i actually like the original haha

  • http://twitter.com/osxdude Jonathan Flusser, Jr

    Wow, sounds great!! A lot better than the original song :P

    • http://www.fororchestra.com WaltRibeiro

      a good orchestration starts with a good song. i actually like the original haha

  • Harry Kinomoto

    Now this is interesting! As someone who also passionately believes in somehow fusing classical music with mainstream pop, you’ve got my attention.

    Its a nice song, very catchy, some neat orchestration too. I would personally have varied the dynamics alot more – gone a little softer when the first words are sung in the song, so I could really let rip at the chorus. That’s when the REAL fun starts in the song imo! But you still good – loved your intro, especially how all the instruments fall joyously into the rhythm of the trumpets~

    I suppose I always felt that classical music needs to go alot more with mainstream pop. The classicist has much in the way of theoretical knowledge; while the pop musician knows exactly how to create an addictive, catchy song. Its two parts to a whole. Unfortunately, I find today’s classicist often too elitist to acknowledge that; while the pop musucian retaliates by trying to beat its way to the top by brute force popularity. Why the war!? Its such a waste – for fuse the two together and you have a thing of transcendent beauty, that supposed boundaries of class and culture will surrender to and bow, as we all acknowledge: in THIS lies our shared humanity, in THIS is what WE can all stand for, and in THIS is something WE CAN ALL ENJOY.

    I’m pleased to have met a comrade in my quest, if you will. I will certainly be hearing more of you in future, and God-willing, perhaps you will hear of me too.

    May your Muse stay with you forever and always!
    harry_kinomoto
    http://www.youtube.com/watch?v=A69KIzRkC5g

    • http://www.fororchestra.com WaltRibeiro

      thanks Harry!

  • Harry Kinomoto

    Now this is interesting! As someone who also passionately believes in somehow fusing classical music with mainstream pop, you’ve got my attention.

    Its a nice song, very catchy, some neat orchestration too. I would personally have varied the dynamics alot more – gone a little softer when the first words are sung in the song, so I could really let rip at the chorus. That’s when the REAL fun starts in the song imo! But you still good – loved your intro, especially how all the instruments fall joyously into the rhythm of the trumpets~

    I suppose I always felt that classical music needs to go alot more with mainstream pop. The classicist has much in the way of theoretical knowledge; while the pop musician knows exactly how to create an addictive, catchy song. Its two parts to a whole. Unfortunately, I find today’s classicist often too elitist to acknowledge that; while the pop musucian retaliates by trying to beat its way to the top by brute force popularity. Why the war!? Its such a waste – for fuse the two together and you have a thing of transcendent beauty, that supposed boundaries of class and culture will surrender to and bow, as we all acknowledge: in THIS lies our shared humanity, in THIS is what WE can all stand for, and in THIS is something WE CAN ALL ENJOY.

    I’m pleased to have met a comrade in my quest, if you will. I will certainly be hearing more of you in future, and God-willing, perhaps you will hear of me too.

    May your Muse stay with you forever and always!
    harry_kinomoto
    http://www.youtube.com/watch?v=A69KIzRkC5g

    • http://www.fororchestra.com WaltRibeiro

      thanks Harry!

  • Michael

    Love it! Taking a song production, in this case, overly enhanced,, ‘unmusical, bland canvus, and redefining in a traditional, dynamic, emotive color palette is a great thing!!

    Well done!

    As the brits say ‘polishing a turd’…

    • http://www.fororchestra.com WaltRibeiro

      the original is actually good song, in my opinon

  • Michael

    Love it! Taking a song production, in this case, overly enhanced,, ‘unmusical, bland canvus, and redefining in a traditional, dynamic, emotive color palette is a great thing!!

    Well done!

    As the brits say ‘polishing a turd’…

    • http://www.fororchestra.com WaltRibeiro

      the original is actually good song, in my opinon

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  • Barry Wayne

    It was added on Feb. 14th and sat dormant till March 11th 2011…
    thanks
    barry wayne
    former Creative Directory
    Ark Music Factory:)

    • http://www.fororchestra.com WaltRibeiro

      hey barry. yea thats what i meant. i’ll update it. thanks

  • Barry Wayne

    It was added on Feb. 14th and sat dormant till March 11th 2011…
    thanks
    barry wayne
    former Creative Directory
    Ark Music Factory:)

    • http://www.fororchestra.com WaltRibeiro

      hey barry. yea thats what i meant. i’ll update it. thanks

  • http://twitter.com/estrogeneration Estrogeneration

    Very creative. You are totally right about music being about creating and sharing emotion. Thanks for sharing your rendition.

    • http://www.fororchestra.com WaltRibeiro

      i LOVEEEEEE that name. haha and thanks for the tweet :)

  • http://twitter.com/estrogeneration Estrogeneration

    Very creative. You are totally right about music being about creating and sharing emotion. Thanks for sharing your rendition.

    • http://www.fororchestra.com WaltRibeiro

      i LOVEEEEEE that name. haha and thanks for the tweet :)

  • Pingback: 'Friday' for orchestra [Rebecca Black]

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  • Eschoendorff

    Wow. To put this on par with anything that Stravinsky or Beethoven wrote is ridiculous. You obviously do not understand the significance of those composers and their musical innovation. It’s not JUST about emotion. If music was simply about emotion, then the Lifetime television network should have satisfied our cravings long ago.

    This orchestral piece does nothing innovative. Even the orchestration is typical. This sort of thing was done back in 1995 when it was called “Mr. Holland’s Opus.” And it has been done countless times before that…

    • Bob Loblaw

      He was putting the original ‘Friday’ on par with Stravinsky or Beethoven. He was also saying it with tongue in cheek. Jeez, lighten up guy.

      I love the original song and I love this. Nice work Walt!

      • http://www.fororchestra.com WaltRibeiro

        Hey Bob! Thanks for the kind words! I wasn’t saying it tounge in cheek, I was totally being serious. Here’s my thoughts: http://bit.ly/g92HZb

        More music to come. How are you?!

    • http://www.fororchestra.com WaltRibeiro

      My response to that: http://bit.ly/g92HZb

    • yo bro boa

      yeah dude lighten up a little bit. not everyone does this now days.

      And I think he was joking, when he said the stravinsky and beethoven part.

      I think you need to take out that pickle that’s up your ass.

    • http://twitter.com/LupusAeon Lupus Aeon

      Well said

      • http://www.fororchestra.com WaltRibeiro

        although I totally disagree, you have every right to voice your opinion. And of course I understand those composers and their significance. But i also understand the significance of this piece, and truthfully, the two comparisons share more similarities than differences.

  • Eschoendorff

    Wow. To put this on par with anything that Stravinsky or Beethoven wrote is ridiculous. You obviously do not understand the significance of those composers and their musical innovation. It’s not JUST about emotion. If music was simply about emotion, then the Lifetime television network should have satisfied our cravings long ago.

    This orchestral piece does nothing innovative. Even the orchestration is typical. This sort of thing was done back in 1995 when it was called “Mr. Holland’s Opus.” And it has been done countless times before that…

    • Bob Loblaw

      He was putting the original ‘Friday’ on par with Stravinsky or Beethoven. He was also saying it with tongue in cheek. Jeez, lighten up guy.

      I love the original song and I love this. Nice work Walt!

      • http://www.fororchestra.com WaltRibeiro

        Hey Bob! Thanks for the kind words! I wasn’t saying it tounge in cheek, I was totally being serious. Here’s my thoughts: http://bit.ly/g92HZb

        More music to come. How are you?!

    • http://www.fororchestra.com WaltRibeiro

      My response to that: http://bit.ly/g92HZb

    • yo bro boa

      yeah dude lighten up a little bit. not everyone does this now days.

      And I think he was joking, when he said the stravinsky and beethoven part.

      I think you need to take out that pickle that’s up your ass.

    • http://twitter.com/LupusAeon Lupus Aeon

      Well said

      • http://www.fororchestra.com WaltRibeiro

        although I totally disagree, you have every right to voice your opinion. And of course I understand those composers and their significance. But i also understand the significance of this piece, and truthfully, the two comparisons share more similarities than differences.

  • Buddybudddude

    I feel the need to get the sheet music to this now. Perhaps I’ll do this for my final for my class.

    • http://www.fororchestra.com WaltRibeiro

      hey buddy! I don’t sell the sheet music. what class? i’m interested!

      • Buddybudddude

        Band class, we have to pick a song out of a library or any song, as long as it’s approved by our teacher, and play it front of the entire class.

      • Bodoblock

        Sorry to butt in, but if you’re willing to give sheet music I was wondering if I could get it as well. As soon as I saw the youtube video I asked my orchestra teacher if we could play this. He said we could if I could get all the parts together for a full orchestra. Thanks again!

        • http://www.fororchestra.com WaltRibeiro

          see my comment above. i don’t sell sheet music yet

  • Buddybudddude

    I feel the need to get the sheet music to this now. Perhaps I’ll do this for my final for my class.

    • http://www.fororchestra.com WaltRibeiro

      hey buddy! I don’t sell the sheet music. what class? i’m interested!

      • Buddybudddude

        Band class, we have to pick a song out of a library or any song, as long as it’s approved by our teacher, and play it front of the entire class.

      • Bodoblock

        Sorry to butt in, but if you’re willing to give sheet music I was wondering if I could get it as well. As soon as I saw the youtube video I asked my orchestra teacher if we could play this. He said we could if I could get all the parts together for a full orchestra. Thanks again!

        • http://www.fororchestra.com WaltRibeiro

          see my comment above. i don’t sell sheet music yet

  • Pingback: Why Rebecca Black ‘Friday’ Is On Par With Beethoven : FOR ORCHESTRA!

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  • Drewcipher

    Love it! Just curious as to what sample library you’re using – the sound is full and clear (of course a lot of that has to do with your arrangement ;)

    Cheers!

  • Drewcipher

    Love it! Just curious as to what sample library you’re using – the sound is full and clear (of course a lot of that has to do with your arrangement ;)

    Cheers!

  • Drumbum189

    …total…shit

    • http://www.fororchestra.com WaltRibeiro

      why is that?

  • Drumbum189

    …total…shit

    • http://www.fororchestra.com WaltRibeiro

      why is that?

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  • film composer

    please do not compare this track to a Stravinsky or Beethoven composition; it merely shows complete lack of appreciation and ignorance for these composers and what they did. their works have their soul poured into them, fire, passion, love, hatred, anger, gentleness… etc… their compositions are rich in harmonic value, clever use of melodic phrasing, ascending and descending sequences, counterpoint, changes of key, their works stand the test of time, the finest humankind can reach…. whereas we have friday, a pop song written in b i believe with a horrible static melody… wake up, listen again to these composers and their orchestral abilities, look in the mirror, give yourself a slap and rewrite this page

    • http://www.fororchestra.com WaltRibeiro

      i stand by what i said. To say that this song isn’t a great work, also gives a complete lack of respect for the people behind this song. Rich harmonic progressions don’t make a better musician. There was alot of work that poured into this piece too. The Wiggles work just as hard, passionately, and musically as Beethoven or Stravinsky. Its a different market, but that doesn’t make it a different appreciation of mastery.

    • http://twitter.com/taaos tAaOS

      By your definition the entire genres of pop; rock; jazz; blues; rap; country and possibly every non-classical song written in the 20th century should be ignored and filed in a lesser category (trash can?).

      I’m a huge fan of classical but I make a point of not elevating it and putting it on a pedestal above all else. It’s great and it has it’s many strengths but truthfully, it also has it’s weaknesses as well.  I remember the early 60s when a few music critics compared Lennon and McCartney to Stravinsky, Beethoven, Mozart and others… they immediately got their heads chopped off by ‘serious’ music connoisseurs who couldn’t believe that two lower-class composers of pop music could even be compared to serious composers.

      Now here’s my clencher… Stravinsky, Beethoven, Lennon, and McCartney have all composed their masterpieces. But… they each have also composed lesser works which in my worthless opinion don’t provide the listening enjoyment that Rebecca’s humble little Friday does. Thank goodness for the fast forward button.

      • http://www.fororchestra.com WaltRibeiro

        i totally agree with everything you say here. The reason I refer to classical composers is not because I put them on a pedestal when referencing them to other musicians. I reference classical composers because I usually refer to them in general because that’s the world I work and live in. It’s all music to me, and all musicians have good and bad works in their lifetimes, and they’re al on the same ‘level’ as others, in my opinion. I, too, don’t worry about ‘serious’ music connoisseurs, and don’t care if they hate my arrangements :) Glad you like my work tAaOS. It’s means more to me than you think.

        • http://twitter.com/taaos tAaOS

          Thumbs up Walt.
          Actually, my comment was in regards to what ‘film composer’ posted above. His was the comment which seemed like he was elevating certain composers above others. I do understand where you’re coming from with your endeavors. I would love if you could give a decent arrangement to one of my own songs at some time (my own arrangements don’t do the songs justice unfortunately). Thanks.

  • film composer

    please do not compare this track to a Stravinsky or Beethoven composition; it merely shows complete lack of appreciation and ignorance for these composers and what they did. their works have their soul poured into them, fire, passion, love, hatred, anger, gentleness… etc… their compositions are rich in harmonic value, clever use of melodic phrasing, ascending and descending sequences, counterpoint, changes of key, their works stand the test of time, the finest humankind can reach…. whereas we have friday, a pop song written in b i believe with a horrible static melody… wake up, listen again to these composers and their orchestral abilities, look in the mirror, give yourself a slap and rewrite this page

    • http://www.fororchestra.com WaltRibeiro

      i stand by what i said. To say that this song isn’t a great work, also gives a complete lack of respect for the people behind this song. Rich harmonic progressions don’t make a better musician. There was alot of work that poured into this piece too. The Wiggles work just as hard, passionately, and musically as Beethoven or Stravinsky. Its a different market, but that doesn’t make it a different appreciation of mastery.

    • http://twitter.com/taaos tAaOS

      By your definition the entire genres of pop; rock; jazz; blues; rap; country and possibly every non-classical song written in the 20th century should be ignored and filed in a lesser category (trash can?).

      I’m a huge fan of classical but I make a point of not elevating it and putting it on a pedestal above all else. It’s great and it has it’s many strengths but truthfully, it also has it’s weaknesses as well.  I remember the early 60s when a few music critics compared Lennon and McCartney to Stravinsky, Beethoven, Mozart and others… they immediately got their heads chopped off by ‘serious’ music connoisseurs who couldn’t believe that two lower-class composers of pop music could even be compared to serious composers.

      Now here’s my clencher… Stravinsky, Beethoven, Lennon, and McCartney have all composed their masterpieces. But… they each have also composed lesser works which in my worthless opinion don’t provide the listening enjoyment that Rebecca’s humble little Friday does. Thank goodness for the fast forward button.

      • http://www.fororchestra.com WaltRibeiro

        i totally agree with everything you say here. The reason I refer to classical composers is not because I put them on a pedestal when referencing them to other musicians. I reference classical composers because I usually refer to them in general because that’s the world I work and live in. It’s all music to me, and all musicians have good and bad works in their lifetimes, and they’re al on the same ‘level’ as others, in my opinion. I, too, don’t worry about ‘serious’ music connoisseurs, and don’t care if they hate my arrangements :) Glad you like my work tAaOS. It’s means more to me than you think.

        • http://twitter.com/taaos tAaOS

          Thumbs up Walt.
          Actually, my comment was in regards to what ‘film composer’ posted above. His was the comment which seemed like he was elevating certain composers above others. I do understand where you’re coming from with your endeavors. I would love if you could give a decent arrangement to one of my own songs at some time (my own arrangements don’t do the songs justice unfortunately). Thanks.

  • Drewcipher

    You raise an interesting point and as someone who is obviously musically adept, also show an open-mindedness that I respect.

    However, while I think it is an interesting argument by which you compare this to Stravinsky, et al, I think there are fundamental differences. Yes, “Friday” evokes strong emotion in people (mostly in the form of mockery and laughter) but to put this on par with the Rite of Spring also implies a large amount of admiration for the work which I think it’s safe to say is almost completely absent. There is also the question of originality. Stravinsky was possibly the most innovative composer of his time, and while his work evoked emotion, it was highly original. Friday, is just the opposite – highly derivitave. In fact, that’s what makes it so humorous, is that it seems to take every pop music cliche and put it into one poorly executed package. There is nothing remotely original about this piece of song and video (let’s remember that the video is just as significant as the song)

    As for your comment about the amount of work they put in, you’re making a huge assumption by stating that these people put their heart and soul into it. Safe to say, Rebecca Black is singing passionately and with intent, however IMHO she is not significant in this – it’s the song and the video that are so controversial. That being said, in my professional opinion (I am a full-time producer/composer) this strikes me as something that was thrown together in an assembly-line fashion with little or no artistic intent. . This video could have easily been a SNL skit mocking the current climate of pop music. You may also find it interesting to know that this song and video were put together from a pre-existing template that were slightly customized for Ms. Black.

    All that being said, great work on the orchestration, and I’d still like to know what sample library you’re using…

    • http://www.fororchestra.com WaltRibeiro

      Yea, I 100% understand what you’re saying. But I’ll say what I said to someone earlier: To say that this song isn’t a great work, also gives a complete lack of respect for the people behind this song. Rich harmonic progressions don’t make a better musician. There was alot of work that poured into this piece too. But pouring in heart and soul into a piece doesn’t make it great.

      Yes – pop music is derivative, all art and ideas are derivative – because we inspire each other. But this piece was done so ‘well’ – something thousands upon thousands could never match, and something has to be said for that. It wasn’t the producers intended reaction they went for, but that’s what publishing does – the second you release something, it’s out of the publishers hands and into the world’s hands. You can’t control it.

      I agree this could have been an SNL skit, but that’s because there’s a “method to the madness” which is easily copied. But there was also a method to the madness years ago in Beethoven’s time – it was called an exposition, a development, and a recapitulation – for sonata form. The only difference is that the guitar and recording studio hadn’t been invented yet in those times. The fact is, while the formula is there, some people just do it better than others. But better isn’t good enough, because to be good or bad at something is easy. But to be the best or worst at something is nearly impossible.

      Some of the best songs and melodies in the world were written in 15 minutes – does that make them any less value than the ones that took years? The Wiggles work just as hard, passionately, and musically as Beethoven or Stravinsky. Its a different market, but that doesn’t make it a different appreciation of mastery.

      • Drewcipher

        You do raise some good points, and while I agree it is remarkable to be the worst at something, I’d say “great” is perhaps an inappropriate term. I’m not suggesting that complexity, or as you say: “rich harmonic progressions” make great music because I agree that they don’t. However, I wonder what makes you so sure that a lot of work was poured into this song? To me, it looks like something that was thrown together very quickly without much of a care. If I’m right, does that change your perspective?

        • Drewcipher

          So ultimately, what makes great music? The answer is that it’s totally subjective, so we could continue this discussion forever without ever reaching a conclusion. At the end of the day you think this is a great work, and noone will ever be able to prove otherwise, so while this discussions can be fun and stimulating, they can also be redundant and somewhat pointless…

          Anyway, I’m going to politely bow out, as I have spent far to much time engaged in this discussion when I really should be writing music :)

          Best Regards,
          Andrew

        • http://www.fororchestra.com WaltRibeiro

          a lot of work being poured into something doesn’t make it great. I pour alot of time into photoshopping stuff sometimes, but the result is still horrible. Time doesn’t make great work, imagination and mastery does.

          i totally see what you’re saying tho. i don’t agree with it, but i totally respect and understand your points and perspective.

  • Drewcipher

    You raise an interesting point and as someone who is obviously musically adept, also show an open-mindedness that I respect.

    However, while I think it is an interesting argument by which you compare this to Stravinsky, et al, I think there are fundamental differences. Yes, “Friday” evokes strong emotion in people (mostly in the form of mockery and laughter) but to put this on par with the Rite of Spring also implies a large amount of admiration for the work which I think it’s safe to say is almost completely absent. There is also the question of originality. Stravinsky was possibly the most innovative composer of his time, and while his work evoked emotion, it was highly original. Friday, is just the opposite – highly derivitave. In fact, that’s what makes it so humorous, is that it seems to take every pop music cliche and put it into one poorly executed package. There is nothing remotely original about this piece of song and video (let’s remember that the video is just as significant as the song)

    As for your comment about the amount of work they put in, you’re making a huge assumption by stating that these people put their heart and soul into it. Safe to say, Rebecca Black is singing passionately and with intent, however IMHO she is not significant in this – it’s the song and the video that are so controversial. That being said, in my professional opinion (I am a full-time producer/composer) this strikes me as something that was thrown together in an assembly-line fashion with little or no artistic intent. . This video could have easily been a SNL skit mocking the current climate of pop music. You may also find it interesting to know that this song and video were put together from a pre-existing template that were slightly customized for Ms. Black.

    All that being said, great work on the orchestration, and I’d still like to know what sample library you’re using…

    • http://www.fororchestra.com WaltRibeiro

      Yea, I 100% understand what you’re saying. But I’ll say what I said to someone earlier: To say that this song isn’t a great work, also gives a complete lack of respect for the people behind this song. Rich harmonic progressions don’t make a better musician. There was alot of work that poured into this piece too. But pouring in heart and soul into a piece doesn’t make it great.

      Yes – pop music is derivative, all art and ideas are derivative – because we inspire each other. But this piece was done so ‘well’ – something thousands upon thousands could never match, and something has to be said for that. It wasn’t the producers intended reaction they went for, but that’s what publishing does – the second you release something, it’s out of the publishers hands and into the world’s hands. You can’t control it.

      I agree this could have been an SNL skit, but that’s because there’s a “method to the madness” which is easily copied. But there was also a method to the madness years ago in Beethoven’s time – it was called an exposition, a development, and a recapitulation – for sonata form. The only difference is that the guitar and recording studio hadn’t been invented yet in those times. The fact is, while the formula is there, some people just do it better than others. But better isn’t good enough, because to be good or bad at something is easy. But to be the best or worst at something is nearly impossible.

      Some of the best songs and melodies in the world were written in 15 minutes – does that make them any less value than the ones that took years? The Wiggles work just as hard, passionately, and musically as Beethoven or Stravinsky. Its a different market, but that doesn’t make it a different appreciation of mastery.

      • Drewcipher

        You do raise some good points, and while I agree it is remarkable to be the worst at something, I’d say “great” is perhaps an inappropriate term. I’m not suggesting that complexity, or as you say: “rich harmonic progressions” make great music because I agree that they don’t. However, I wonder what makes you so sure that a lot of work was poured into this song? To me, it looks like something that was thrown together very quickly without much of a care. If I’m right, does that change your perspective?

        • Drewcipher

          So ultimately, what makes great music? The answer is that it’s totally subjective, so we could continue this discussion forever without ever reaching a conclusion. At the end of the day you think this is a great work, and noone will ever be able to prove otherwise, so while this discussions can be fun and stimulating, they can also be redundant and somewhat pointless…

          Anyway, I’m going to politely bow out, as I have spent far to much time engaged in this discussion when I really should be writing music :)

          Best Regards,
          Andrew

        • http://www.fororchestra.com WaltRibeiro

          a lot of work being poured into something doesn’t make it great. I pour alot of time into photoshopping stuff sometimes, but the result is still horrible. Time doesn’t make great work, imagination and mastery does.

          i totally see what you’re saying tho. i don’t agree with it, but i totally respect and understand your points and perspective.

  • Mattalchemist

    your songs are always awesome. at first i didn’t want to listen to this cause, well, its Rebecca Black’s “Friday,” the song i hate the most right now cause i can’t stop singing it in my head every friday. but i must say this arrangement of it is amazingly well done. i might learn to love it, lol.

    • http://www.fororchestra.com WaltRibeiro

      yo thanks Matt! That means a lot to me. BTW is it Matt, or Mattal?

  • Mattalchemist

    your songs are always awesome. at first i didn’t want to listen to this cause, well, its Rebecca Black’s “Friday,” the song i hate the most right now cause i can’t stop singing it in my head every friday. but i must say this arrangement of it is amazingly well done. i might learn to love it, lol.

    • http://www.fororchestra.com WaltRibeiro

      yo thanks Matt! That means a lot to me. BTW is it Matt, or Mattal?

  • http://robvincent.net Rob T Firefly

    Small correction: Tosh.0 got “Friday” from The Daily What, which is where it first got going viral.

    • http://www.fororchestra.com WaltRibeiro

      wow, no way! why did tosh.o get so much credit as the finder? both are awesome, but I was totally convinced it was Tosh.o haha

      • http://robvincent.net Rob T Firefly

        Tosh credited TDW as the source in his own post.

        • http://www.fororchestra.com WaltRibeiro

          oh got it. Good call.

  • http://robvincent.net Rob T Firefly

    Small correction: Tosh.0 got “Friday” from The Daily What, which is where it first got going viral.

    • http://www.fororchestra.com WaltRibeiro

      wow, no way! why did tosh.o get so much credit as the finder? both are awesome, but I was totally convinced it was Tosh.o haha

      • http://robvincent.net Rob T Firefly

        Tosh credited TDW as the source in his own post.

        • http://www.fororchestra.com WaltRibeiro

          oh got it. Good call.

  • Pingback: Because it is Friday in this Place « Transpositions

  • Patricia

    This seems like the most fun piece to play as this weather gets nicer. ^^ It doesn’t sound like a piece that can’t be played well after a month of rehearsal. My orchestra buddies and I are interested in playing this for our Spring Concert. Can you send me the sheet music? We’d be willing to pay any money you would charge for it we just want it for the musical fun. This is amazing.

    Patricia
    @ruskayaalt

  • Patricia

    This seems like the most fun piece to play as this weather gets nicer. ^^ It doesn’t sound like a piece that can’t be played well after a month of rehearsal. My orchestra buddies and I are interested in playing this for our Spring Concert. Can you send me the sheet music? We’d be willing to pay any money you would charge for it we just want it for the musical fun. This is amazing.

    Patricia
    @ruskayaalt

  • Tiffany

    Hi! This is a wonderful piece. I showed this to my music teacher and he loved it. Is there any way I could get the sheet music? Thank you for taking your time to arrange wonderful pop songs into orchestral songs. This is an amazing thing you do.

    Tiffany

    • http://www.fororchestra.com WaltRibeiro

      hi tiffany. email me walt@fororchestra.com

      • Tiffany

        okay. i emailed you

  • Tiffany

    Hi! This is a wonderful piece. I showed this to my music teacher and he loved it. Is there any way I could get the sheet music? Thank you for taking your time to arrange wonderful pop songs into orchestral songs. This is an amazing thing you do.

    Tiffany

    • http://www.fororchestra.com WaltRibeiro

      hi tiffany. email me walt@fororchestra.com

      • Tiffany

        okay. i emailed you

  • Anonymous

    Hey, i love this! Can I please see the score for it! Fascinated on how u did it :)

    • http://www.fororchestra.com WaltRibeiro

      scores for this song aren’t available… yet!

  • Anonymous

    Hey, i love this! Can I please see the score for it! Fascinated on how u did it :)

    • http://www.fororchestra.com WaltRibeiro

      scores for this song aren’t available… yet!

  • http://twitter.com/taaos tAaOS

    I enjoy Rebecca’s version with all it’s innocent awkwardness and unpolished appeal. But I enjoy your version for a different reason… it emphasizes the strengths and potential of the original song. Thank you for seeing what the song offers (and it is not even close to being the “worst song ever written”), in my opinion it’s not even in the top 500 worst songs. I personally feel that many of the best songwriters of all time have written clunkers which make Friday seem like a masterpiece in comparison (How ’bout any song with the name ‘Yoko’ in the lyrics?) Thanks.

  • http://twitter.com/taaos tAaOS

    I enjoy Rebecca’s version with all it’s innocent awkwardness and unpolished appeal. But I enjoy your version for a different reason… it emphasizes the strengths and potential of the original song. Thank you for seeing what the song offers (and it is not even close to being the “worst song ever written”), in my opinion it’s not even in the top 500 worst songs. I personally feel that many of the best songwriters of all time have written clunkers which make Friday seem like a masterpiece in comparison (How ’bout any song with the name ‘Yoko’ in the lyrics?) Thanks.

  • Hugo

    Hello Walt! Wow, where to begin, I just love your take on the song, it sounds so uplifting, so optimistic, so beautiful! And I must confess I’m not really into orchestral/classical music. I still have some doubts whether you’re being tongue in cheek, but in any case I’m sure this took a while to create (I was naive enough to think you were conducting a real orchestra!) and I love your open-minded vision on music in general, because I love people who have the courage to express opinions which stray far from the mainstream, “compulsory” opinions.

    I can’t say  if the song musically is “good” or not, because I lack any kind of musicology knowledge, but I can say it’s catchy and uplifting and it affects my mood, and I believe that’s the reason there are so many versions on the internet: when a melody is that strong, it can stand all kinds of versions, from death metal to acoustic guitar. (By the way, have you heard Glee’s version? they have taken a humorous and dancey approach to it and it’s also a blast). I’m sure the reason the song has been treated as a joke is obviously the terrible lyrics, which really seem self parodic. I’m all for celebrating fridays, but when she starts explaining the order of the days it’s just too much ;)

    Anyway, thanks for your fantastic version and your refreshing opinions! I’ll check more of your tracks!

    • http://www.fororchestra.com WaltRibeiro

      Thanks Hugo. Honestly, your comment was refreshing to me! I wasn’t being toungue in cheek – I actually like the piece. The thing is I think most people would agree if they felt it was “ok” to like a song like this. Maybe it’s socially unacceptable? And yea – Glee’s version was awesome, as was the Bob Dylan one. You heard the Bob Dylan one, right?

  • Hugo

    Hello Walt! Wow, where to begin, I just love your take on the song, it sounds so uplifting, so optimistic, so beautiful! And I must confess I’m not really into orchestral/classical music. I still have some doubts whether you’re being tongue in cheek, but in any case I’m sure this took a while to create (I was naive enough to think you were conducting a real orchestra!) and I love your open-minded vision on music in general, because I love people who have the courage to express opinions which stray far from the mainstream, “compulsory” opinions.

    I can’t say  if the song musically is “good” or not, because I lack any kind of musicology knowledge, but I can say it’s catchy and uplifting and it affects my mood, and I believe that’s the reason there are so many versions on the internet: when a melody is that strong, it can stand all kinds of versions, from death metal to acoustic guitar. (By the way, have you heard Glee’s version? they have taken a humorous and dancey approach to it and it’s also a blast). I’m sure the reason the song has been treated as a joke is obviously the terrible lyrics, which really seem self parodic. I’m all for celebrating fridays, but when she starts explaining the order of the days it’s just too much ;)

    Anyway, thanks for your fantastic version and your refreshing opinions! I’ll check more of your tracks!

    • http://www.fororchestra.com WaltRibeiro

      Thanks Hugo. Honestly, your comment was refreshing to me! I wasn’t being toungue in cheek – I actually like the piece. The thing is I think most people would agree if they felt it was “ok” to like a song like this. Maybe it’s socially unacceptable? And yea – Glee’s version was awesome, as was the Bob Dylan one. You heard the Bob Dylan one, right?

  • Mojo Johnson

    I agree.  People hate on Rebecca Black because it’s trendy, too.  The bridge is horrible but the song is catchy and sticks in your head for days, if not longer.  That’s a good song even if the subject matter is silly at times (“Which seat should I take?” etc.)

  • Mojo Johnson

    I agree.  People hate on Rebecca Black because it’s trendy to.  The bridge is horrible but the song is catchy and sticks in your head for days, if not longer.  That’s a good song even if the subject matter is silly at times (“Which seat should I take?” etc.)

  • Mojo Johnson

    I agree.  People hate on Rebecca Black because it’s trendy, too.  The bridge is horrible but the song is catchy and sticks in your head for days, if not longer.  That’s a good song even if the subject matter is silly at times (“Which seat should I take?” etc.)

  • Mojo Johnson

    I agree.  People hate on Rebecca Black because it’s trendy to.  The bridge is horrible but the song is catchy and sticks in your head for days, if not longer.  That’s a good song even if the subject matter is silly at times (“Which seat should I take?” etc.)

  • Pingback: For Orchestra » Blog Archive » Katy Perry ‘Last Friday Night (TGIF)’ For Orchestra #73

  • Wilf Jones

    i’m looking for something fun to play with an orchestra i’m conducting next week. is there sheet music for this anywhere? wilf.jones@gmail.com

  • Pingback: For Orchestra » » Rebecca Black ‘My Moment’ For Orchestra #75 by Walt Ribeiro

  • sarah

    i wish this had more french horn in it! :( honestly every morning and pretty much whenever i can i listen it to it i do. this song turned from absolutely horrible to amazing! I can’t stop listening!! :)

    • http://www.fororchestra.com WaltRibeiro

      thanks sarah! i thought french horn would sound too heavy in some parts for this piece. how did you hear about my work?

      • Sarah

        I saw  a youtube video called “Friday Rebecca Black Orchestral Tribute” or something like that. Too heavy? French horns are very mellow and beautiful! :) But I literally listen to it any time I can, it makes me so upbeat and happy!!

  • Haglinsfouldickshsh

    what instruments were used?

    • http://www.fororchestra.com WaltRibeiro

      standard classical orchestra instrumentation http://en.wikipedia.org/wiki/Orchestra

  • http://www.facebook.com/cliffhazelz.santos Cliff Hazel

    Can you believe that Rebecca got the nerve to release a new music video? read here! http://bit.ly/sW8X6n